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Noon for a Midnight Snack, 2018
Noon for a Midnight Snack, 2018
Dawn of Ethan for Nicky, a performance collaboration.
The two tables are in the same room, and the mirrors aren’t perfect, but I wanted to see “Harrison Ford” the performer go on a date with himself.
I was thinking about the officiallity of this kind of story telling, how it relates to the moving image, moving readability, and a craning stage.
The very important fly was alive in the bathroom of the house I stayed at in Atholl, Scotland and when I found it dead on the tiling I put it inside a cigarette box to take home.
Dawn of Ethan for Nicky, a performance collaboration.
The two tables are in the same room, and the mirrors aren’t perfect, but I wanted to see “Harrison Ford” the performer go on a date with himself.
I was thinking about the officiallity of this kind of story telling, how it relates to the moving image, moving readability, and a craning stage.
The very important fly was alive in the bathroom of the house I stayed at in Atholl, Scotland and when I found it dead on the tiling I put it inside a cigarette box to take home.
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Manufacturing
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
Manufacturing
Dancing (series in video)
If the dancer does what the dancer is supposed to do then each maneuver is programmed, calculated and decidedly with or without lapse or gap because time is choreography.
Virtue/Moir, 2019
Do Not Believe Your Eyes!, 2018
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