Noon for a Midnight Snack, 2018
Noon for a Midnight Snack, 2018
Dawn of Ethan for Nicky, a performance collaboration.
The two tables are in the same room, and the mirrors aren’t perfect, but I wanted to see “Harrison Ford” the performer go on a date with himself.
I was thinking about the officiallity of this kind of story telling, how it relates to the moving image, moving readability, and a craning stage.
The very important fly was alive in the bathroom of the house I stayed at in Atholl, Scotland and when I found it dead on the tiling I put it inside a cigarette box to take home.
Dawn of Ethan for Nicky, a performance collaboration.
The two tables are in the same room, and the mirrors aren’t perfect, but I wanted to see “Harrison Ford” the performer go on a date with himself.
I was thinking about the officiallity of this kind of story telling, how it relates to the moving image, moving readability, and a craning stage.
The very important fly was alive in the bathroom of the house I stayed at in Atholl, Scotland and when I found it dead on the tiling I put it inside a cigarette box to take home.
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Manufacturing
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
Manufacturing

Car body cast (Day 01), 2023. Spraylat, removed 2015 Kia Soul, four 34" high powered fans

Car body cast (Day 30), 2023. Spraylat, removed 2015 Kia Soul, four 34" high powered fans

Car body cast (Day 01), 2025. Spraylat, removed 2015 Kia Soul, four 34" high powered fans

Car body cast (Day 15), 2025. Spraylat, removed 2015 Kia Soul, four 34" high powered fans

Car body cast (Day 00/uninflated), 2025. Spraylat, removed 2015 Kia Soul, four 34" high powered fans
The vinyl cast of my vehicle is an exercise in decay-endurance; the cast-material is designed to remain as a protective skin, much like a car can be a protective shell for a human. I meticulously remove the car, leaving only a skin-like shell that is inflated until it ruptures and caves in. The work is inherently temporary. Because of the constant pressure from the wheel-well fan inflation, it gradually destroys itself over the course of the exhibition. Depending on the temperature and conditions in the space (and ideally with the fans running continuously), it typically lasts anywhere from about two weeks to a month. As a result, the piece has to be remade from scratch each time it is exhibited.
Dimensions: (approximately) 163” L x 70.9” W x 63” T